The Moment

The Moment, Katie Paterson

Durham Cathedral

On show from 26 March – 11 September

Please check Durham Cathedral’s opening times before planning your visit.

The Moment is an installation which is part of National Glass Centre’s major project Glass Exchange.


View photos of The Moment

Photos by David Wood


About the artist and installation

Katie Paterson was born in Glasgow in 1981 and is now based in Fife.

Collaborating with leading scientists and researchers across the world, Katie Paterson’s poetic and conceptual projects consider our place on Earth in the context of geological time and change. Her artworks make use of sophisticated technologies and specialist expertise to stage intimate, poetic and philosophical engagements between people and their natural environment.

For Glass Exchange, Katie has made two inter-related works. The first is Requiem, a glass urn to be filled with hundreds of samples of dust. The earliest samples are ground from geological items that pre-date Earth’s history. They go on to chart the progression of time with later samples drawing attention to the disproportionate impact of humanity on the Earth over a relatively short period.

The second work is a series of hourglasses titled The Moment. Material from before the Sun existed flows for fifteen minutes through each timepiece allowing the viewer to reflect on the vastness of time and our role within it.

Requiem will be exhibited at Ingleby Gallery in Edinburgh from 9th April until the 11th June before being shown at National Glass Centre from 18th June until 11th September 2022.

Hourglasses from the series The Moment will be displayed at Durham Cathedral, Sunderland Minster and National Glass Centre. Additional venues are to be confirmed in due course.

Katie Paterson
Photo © Bjørvika Utvikling by Kristin von Hirsch, 2015


Glass Exchange is supported using public funding by the National Lottery through Arts Council England, with additional funding from Art Fund, Henry Moore Foundation and the Coastal Communities Fund, and with thanks to the University of Sunderland and Durham Cathedral. 

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